August 1, 2009
To our group members,
There have been some changes in Second Life lately that have affected Independent. Linden Lab has begun to implement a classification system to segregate “adult content”.
Upcoming Changes for Adult Content
This means graphically violent and sexual content will still be around but less visible. So SL has now become more like real life in that respect and we feel that the Independent group as it is now doesn’t reflect the direction SL is headed nor does it address the new problems that will arise in fighting sexual violence here.
In light of that, and since there are several other excellent SL groups that do address violence against women, we have decided to close Independent. Thank you all for being part of our group. We hope we have contributed some knowledge or inspiration to you and to SL through you. Our blog will remain up as an archive/resource.
Here are the names of similar groups in SL – we hope you will find one that interests you and we wish you well.
SL Left Unity Feminist Network
SL Project Hope
Stop Violence Against Women
-Polly Paperclip and Rielyn Lane
This month I’d like to honor Cecilia Fire Thunder, who has dedicated her life to her community and to advocating for women’s health and freedom from violence. Born at the Pine Ridge Reservation in 1946, she stayed close to her Lakota roots in spite of a school system that tried to suppress her culture and her family’s move away from their home. Fire Thunder grew up to become a woman of great strength and character, and has been a nurse, community leader and fierce advocate for the rights of women.
Fire Thunder was elected the first woman president of the Oglala Sioux Tribe in 2004. In 2006 she made news as she promised to open a women’s reproductive health clinic on tribal land if the threatened abortion ban in South Dakota was passed. The ban was passed and subsequently overturned, but her bold and courageous action caused Fire Thunder to be impeached and removed from office. However, she did not lose the courage of her convictions and continues to work on behalf of the Lakota community and women’s rights.
Blanche Stuart Scott (1885 – 1970) was a pioneering US aviatrix and motorist of the early twentieth century.
In 1910, Scott became only the second woman to drive an automobile the width of the United States, from New York to San Francisco. Later that year she learned to fly, becoming, according to some sources, the very first female aviator. Dubbed the “Tomboy of the Air,” she toured the nation as a daredevil flyer and was professionally employed as a test pilot for the Glenn L. Martin Company which later became Lockheed Martin.
Blanche Scott retired from active flying in 1916 and later helped to establish the US Air Force Museum in Dayton, Ohio.
In those early years of aviation, when flying machines were the pinnacle of technology, it’s difficult to imagine the impact that pioneers like Ms. Scott had on the young girls who would go on to shape the new century.
The best place to learn more about Blanche Stuart Scott is in Eileen F. LeBow’s book “Before Amelia: Women Pilots in the Early Days of Aviation”
The only book that is completely dedicated to Ms. Scott is the juvenile biography “Tomboy of the Air: Daredevil Pilot Blanche Stuart Scott” by Julie Cummins. This title is recommended despite its orientation toward children.
Cecilia Payne-Gaposchkin (1900-1979) made one of the world’s great scientific discoveries – what the universe is made of (more specifically, its chemical composition). But you will not find this fact in school textbooks, and when she made her discovery in 1925 the noted astronomers of the time dismissed it. Struggling against the obstacle of sexism and languishing in low status, low salaried positions, Payne-Gaposchkin remained dedicated to her pursuit of the science she loved and in time attained the position of full professor and chair of the Astronomy department at Harvard.
Payne-Gaposchkin was a brilliant astronomer and a trailblazer for women in science and academia. On this day, the 109th anniversary of her birth, I’m honored to pay this small tribute to her and hope that with each mention her name and achievements will become better known, and in our present day when women are still seriously underrepresented in the sciences, may inspire girls and young women who also love science to pursue their interests.
ESSAYS ON SCIENCE AND SOCIETY: The Shoulders of Giants
CECILIA PAYNE-GAPOSCHKIN: THE BRAVERY OF A MIND
“THE MOST BRILLIANT Ph.D. THESIS EVER WRITTEN IN ASTRONOMY”
Cecilia Payne-Gaposchkin: An Autobiography and Other Recollections
April 18, 2009
Lois Weber (1881-1939) was a pioneering early U.S. film director, writer, producer and actress, who helped to establish the new medium as a forum for social commentary and as an art form worthy of attention and respect. She also founded her own company, Lois Weber Productions, and was the first woman member of the Motion Picture Director’s Association, forerunner of the Directors Guild of America.
Fortunately, a number of Lois Weber’s films are available today for viewing on DVD:
Suspense (1913), (included in the collections “Saved From the Flames” and “Unseen Cinema”) is an innovative short film in which a mother and child are trapped in their home by a would-be thief.
How Men Propose (1913) (included in the collection “The Origins of Film”) tells the story of a female researcher who studies, appropriately enough, “how men propose”, much to the consternation of her several suitors.
Hypocrites (1915) is a fairly heavy-handed film dealing with political and religious corruption.
Where Are My Children? (1916) (included in the collection “Treasures III”) is a remarkable film dealing with abortion and birth control (in 1913!). Many viewers will be surprised at the generally patriarchal tone given that this film was written and directed by a woman; nevertheless, “Where Are My Children” is well worth seeing.
The Blot (1921) tells the story of two families: one a native-born family, living in relative poverty, led by an academic clergyman; the other an immigrant clan led by a wealthy tradesman. The issues of class pride and jealousy are particularly resonant in this film.
Too Wise Wives (1921) (included in the collection “The Origins of Film”) tells contrasting stories of two couples while illustrating some common attitudes about women in the early 1920s.
While no full biography of Lois Weber is currently in print, we recommend seeking out Anthony Slide’s “Lois Weber: The Director Who Lost Her Way In History”, published by Greenwood Press in 1996.
Maggie Lena Walker (1867-1934) spent her life dedicated to improving the status of African-Americans and women, particularly through economic empowerment. She was the first woman in America to found and serve as president of a bank. She was a leader in her community, a great orator, a successful business woman and a philanthropist. This is a just a brief summation of Walker’s accomplishments – how she became all of these things, considering where she started in life, is a testament to her drive and determination and an accomplishment in itself.
Walker knew the struggles of black women first hand. Before she was born, her mother had been a slave and kitchen worker, then worked as a laundress when Walker was a child. It was an occupation that payed barely enough to live on, but in late 19th century Virginia, was one of the few options available for black women with families to care for.
Walker also experienced institutional discrimination at a young age when her high school graduation was to be segregated into separate ceremonies for white and black students. Walker organized a student strike in protest, and as a result the African-American students were allowed to have commencement at the school instead of a nearby church.
After graduating, Walker worked as a teacher while also working part time as an insurance agent, studying accounting at night, and continuing her volunteer activities with the Independent Order of St. Luke, an African-American fraternal organization that provided health care and burial services, which Walker had joined at age 14.
After her marriage in 1886, Walker quit working as was customary for women at the time. She then devoted her energies to her work with St. Luke, creating a juvenile branch of the Order and rising to its highest rank when elected Right Worthy Grand Secretary in 1899. By this time, the Order was in debt and in danger of failing. Walker went on a lecturing tour around the country to increase membership. A charismatic and passionate speaker, she moved audiences and raised membership and funds. Always looking for the next step needed to advance the Order and always with the interests of her community at heart, under Walker’s direction, the Order grew and prospered, adding insurance, printing and college loans to its services.
In 1902 Walker founded the Order’s newspaper, the St. Luke Herald to promote improved communication and awareness of the organization. In 1903 she chartered and became president of the St. Luke Penny Savings Bank. It was her firm belief that the money and talents of the African-American and women’s communities should be put to use for their own benefit.
“If our women want to avoid the traps and snares of life, they must band themselves together, organize, acknowledge leadership,… and work and business for themselves.”
-Maggie Lena Walker
Now a wealthy and successful woman, Walker gave her support to African-American and women’s organizations, including the International Council of Women of the Darker Races, the National Association of Wage Earners, National Urban League and the Virginia Interracial Committee. She also helped found the Richmond Council of Colored Women and the Richmond branch of the NAACP.
When her resignation was called for by members of St. Luke after a family tragedy in 1915 caused negative publicity, Walker defended herself and her position with a speech so passionate she received a standing ovation and kept her position with the Order. Walker remained as Grand Secretary until her death.
By the late 1920’s Walker’s health began to fail. Then, in the wake of the stock market collapse of October 1929, Walker’s Bank was merged with other black-owned banks in Richmond to become the Consolidated Bank and Trust Company in 1930. Despite her ill health, Walker served as chairman of the board. The Consolidated Bank and Trust Company is still in business and carries Walker’s legacy as the oldest continuously operating minority-owned bank in the United States.
Maggie Lena Walker passed away in 1934 from complications of diabetes. It is difficult to do justice to such a great woman in this short essay. To learn more about her remarkable life, please see the additional reading below.
Wikipedia – Maggie L. Walker
Maggie L. Walker National Historic Site
Maggie L. Walker National Historic Site
A Right Worthy Grand Mission: Maggie Lena Walker and the Quest for Black Economic Empowerment
February 9, 2009
As a child growing up in western Pennsylvania during the Great Depression, Stephanie Kwolek designed clothing for her dolls, stealing time on her mother’s sewing machine to create outfits that her parents couldn’t afford to buy during such hard times. “Both my parents were creative people. As a child, I thought that I might be a fashion designer. I spent an awful lot of time drawing various types of clothes and sewing,” she remembers.
While a career as a fashion designer was not in the cards, Kwolek learned to apply her creative impulse to more scientific pursuits. Majoring in chemistry with the ultimate goal of a medical degree, she took a research position with the DuPont Company an almost exclusively male dominated field in 1946. “The first year, the work was so interesting and it was so challenging,” she said in 2005. “I loved to solve problems, and it was a constant learning process. Each day there was something new, a new challenge, and I loved that. The problem was that I was so interested in chemistry and research that I totally forgot about medicine.”
In 1964, she was assigned to work toward developing a new generation of high-performance fibers. After much thought, experimentation, creative problem solving and simple hard work, Kwolek produced a lightweight fiber of incredible strength and durability, “five times stronger than steel on an equal weight basis” announced DuPont, which named the new material Kevlar.
In the years since, Kevlar has become a ubiquitous part of our lives in everything from sporting goods and bridge cables to aircraft and, most famously, helmets and bullet-proof armor.
Reflecting upon her achievement, Stephanie Kwolek says, “It makes me feel very good, because not many people have the opportunity to invent something, or to work on something, that has such significance, and particularly that is of benefit to mankind. I consider myself to be a very lucky person.” In 1994, she was inducted into the National Inventors Hall of Fame, only the fourth woman to be so honored.
Stephanie Kwolek on the web:
There is a small exhibit about Stephanie Kwolek and Kevlar at the Smithsonian’s National Museum of American History in Washington, DC.
January 4, 2009
In the Western canon, what has been traditionally defined as art has excluded centuries of traditional women’s arts, such as weaving, quilting, embroidery and appliqué.
It is astonishing to me that, even when women did not have access to art education or patronage and had the responsibility of managing their households and raising their children, there were those who took the time to create complex patterns to weave into cloth and made natural dyes from roots, nuts and flowers to color them. I can only imagine that the desire to use skill and knowledge and create beauty was their motivation.
Inspired by the second wave feminist movement of the 70’s, Miriam Schapiro, a professional artist since 1955, worked to bring recognition to these women artisans. In 1972 Schapiro, then a teacher at the California Institute of the Arts, along with artist Judy Chicago and 21 of their students created an exhibition called Womanhouse to show the history of women’s work and art and how it related to women’s common experience. This was considered controversial by the art establishment but it was a watershed event for Schapiro, bringing her not only new direction and inspiration for her art but insight into herself and a sense of fellowship with all women.
“I felt that by making a large canvas magnificent in color, design, and proportion, filling it with fabrics and quilt blocks, I could raise a housewife’s lowered consciousness.”
Schapiro created an original genre she called “femage” — collages of fabric scraps, buttons and other trimmings — and helped give rise to the Pattern and Decoration movement. She continued in both her art and consciousness-raising, gaining recognition and awards along the way. Her art career has lasted over 40 years and her pioneering vision both blazed a trail and left a legacy for the artists to follow her.
Miriam Schapiro : shaping the fragments of art and life
1989 interview with Schapiro
Oral history interview with Miriam Schapiro
Images of some of Schapiro’s works
Catalog of links keyed to Whitney Chadwick’s Women, Art, and Society
Miriam Schapiro: A Retrospective
Info about video of WOMANHOUSE
Women Make Movies
December 16, 2008
In 1887, Millie Williams, under the care of a poorly trained physician, nearly died in childbirth. Her baby, also a victim of the doctor’s unpracticed technique, did not survive. Millie’s sister, Anna, vowed that she would learn the art of medicine and master the art which her sister’s caregiver fatally lacked.
In a time when female physicians were few, Anna Wessels Williams (1863-1954) became one of the world’s top bacteriologists. With her professional partner, Dr. William H. Park, Dr. Williams isolated the diphtheria bacillus, enabling the development of an antitoxin. Diphtheria, debilitating and often fatal, once struck over 100,000 Americans per year in the 1920s. In the two decades between 1980 and 2000, only 52 cases were recorded, a virtual eradication that is the direct descendent of Dr. Williams’ work.
Anna Wessels Williams also made important contributions to the study of typhoid, influenza and scarlet fever, work that has improved the health of hundreds of millions of people over the span of nearly a century.
Author John M. Barry described Dr. Williams as “…wild, risk taking, intensely curious, a woman who took new inventions apart to see how they worked.” She loved to fly with stunt pilots and was an avid motorist at the dawn of the automobile age, when there were few women drivers. She said of herself, “From my earliest memories, I was one of those who wanted to go places. When I couldn’t go, I would have my dreams about going. And, such dreams were seldom conceived by any other child.” Yet despite her talent and vigor, she was a lonely and friendless person. In the early 20th century, when nearly no women were counted among the world’s top scientists, Dr. Williams had few peers or social opportunities. She wondered “if it would be worthwhile to make friends and if so how I should go about it,” but concluded that she would rather suffer loneliness than achieve “happiness through lack of knowledge.”
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While there are no thoroughgoing biographies of Dr. Anne Wessels Williams, accounts of her life and work may be found in John M. Barry’s excellent “The Great Influenza: The Epic Story of the Greatest Plague In History” (Viking/Penguin, 2004).
Dr. Williams’ papers are archived at the Harvard University Library where they are available to researchers.
November 8, 2008
Born in Georgia in 1955, Cynthia McKinney’s early years were informed and inspired by the American Civil Rights movement. Her father took her to demonstrations and later, jump started her entry into politics by submitting her name as a Congressional candidate while she was living overseas. It’s impossible to talk about McKinney without talking about politics – it is through her political career that she has done most of her activism and been so well known for being outspoken and causing controversy.
Cynthia McKinney was elected to Congress in 1992 as a Democrat and became the first African-American women to represent Georgia in the House. She is best known for her challenges to George Bush and his administration regarding the 9/11 attack on the U.S., the Iraq war, and the response to hurricane Katrina.
Asked about the role black female legislators hope to play in Congress, McKinney declared in the Washington Post : “We’re shaking up the place. If one of the godfathers says you can’t do this, my next question is: ‘Why not? And, who are you to say we can’t?'”
McKinney ran for President of the U.S. in 2008 on the Green Party ticket along with running mate Rosa Clemente. Despite being the only all women of color ticket, they were given virtually no mainstream media coverage even though they were on the ballot in enough states to mathematically be able to win.
Whatever your politics, McKinney is to be admired for her strength, courage and determination in the face of obstacles, particularly the racism she encountered as a black, female member of Congress.
Most inspiring to me is that even after crushing defeats, such as losing her seat in Congress, she came back fighting. She regained her seat, lost it again and most recently got just .1% of the vote in the U.S. Presidential election. I don’t know where Cynthia’s going next or what she’s planning but I know she won’t forget the causes she champions and she will never give up the fight.
For more information about McKinney, I highly recommend the article mentioned above, as well as the documentary film, “American Blackout”, which not only covers McKinney’s Congressional career but delves into the voter disenfranchisement controversies of the U.S. Presidential elections of 2000 and 2004. The film is currently available in its entirety on Google Video.
American Blackout (2006)